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iii) the essential distinction between dramatic and other kinds of poetry. ix of a dramatic work, it depends on the nature and extent of that share, how far such a work belongs to dramatic literature and how far it is to be judged from the point of view of literary art.
The acted drama removes itself from the sphere of literary criticism, in proportion as it n^lects words for other means of imitating action.
But a work cannot be regarded as entitled to a place in dra- matic literary history by the mere fact of the assumption of a form which though necessary to the drama is, -even when accompanied by indications of time and place, not exclusively proper to it.
Such forms are those of the address and the dialogue.
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The rude be- ginnings of dramatic composition, in which a harmonious combination of words with other elements in the repre- sentation of action has not yet been reached, or in which the general demands of literary art are still imperfectly met, necessarily call for notice in the history of the drama, nor can they be wholly left aside in any attempt to sketch the growth of a particular dramatic literature.Epical, lyrical, didactic, or oratorical works — the Iliad of Homer, the Odes of Pindar, the Dialogues of Plato, the Orations of Demosthenes — may accordingly possess and exhibit dramatic elements; but only such works as pursue the dramatic method are of their essence dramatic.The uses to which this method is put differ in vatious INTRODUCTION.Whether a book is still in copyright varies from country to country, and we can't offer guidance on whether any specific use of any specific book is allowed. Strictly speaking, dramatic literature is that form of literary composition which accommodates itself to th^ demands of an art whose method is imitation in the way of action^.Please do not assume that a book's appearance in Google Book Search means it can be used in any manner anywhere in the world. The varieties of the drama differ widely both as to the objects imitated and as to the means employed in the imitation.
That an action should possess a certain length, is a demand arising from considerations to a great degree determined by comparison, and therefore of their nature elastic.